Extreme case of null extension, suppression of sounds that are naturally expected in a scene.
Major attributes of a given sound.
Sound constructed from one or more elements to create a full filmic impact.
Overall sonic components and their conceptual arrangement as part of the film narrative.
Balance between all sound sources
Near zero degree of sound.
Environment that surrounds the actors and makes the visual diegesis for the audience.
Materialising sound indices: all little details in sound occurrence that will make the event appear more real in the cinematic world
Impossibility of extracting meaning from sound, voice
Conscious act of focusing on sound. There are three types, semantic, causal and reduced.