References

• Altman, R. 1992. Sound theory, sound practice. London: Routledge.

 

• Augoyard, J. F. and Torgue, H. 2006. Sonic experience: a guide to everyday sounds. McGill-Queens university press.

 

• Beller, H. and Lensing, J. Audiovisual montage. In: Dieter, D. and Naumann, S. 2010. Audiovisuology Compendium: See this sound. Koln: Walther Konig.

 

• Bordwell, D. and Thompson, K. 2009. Film art: An introduction. 9^th ed. McGraw-Hill.

 

• Branigan, E. 1992. Narrative comprehension in film. London: Routledge.

 

• Burch, N. 1981. Theory of film practice. Paperback edition. Quoted in: Khatchadourian, H. 1987. Time and space in film. British Journal of Aesthetics 27(2), pp. 169-177.

 

• Chion, M. 1994. Audio-vision: Sound on screen. New york: Columbia university press.

 

• Chion, M. 1999. The voice in cinema. New york: Columbia university press.

 

• Colin, M. [2003?]. Film semiology as a cognitive science. In: Buckland, W. 2003. The film spectator: From sign to mind. Amsterdam University Press.

 

• Daurer, G. [2010?]. Audiovisual perception. In: Dieter, D. and Naumann, S. 2010. Audiovisuology Compendium: See this sound. Koln: Walther Konig.

 

• Johnson, L. F. 1974. Film: space, time, light and sound. Holt, Rinehart and Winston, Inc.

 

• Murch, W. 2005. DENSE CLARITY – CLEAR DENSITY. [Online] available from: https://transom.org/2005/walter-murch/ [Accessed on 2nd December 2018]

 

• Oakley, T. [No date]. Toward a General Theory of Film Spectatorship. [Online]. Case Western Reserve university. Available from: http://www.case.edu/artsci/engl/Library/Oakley-TheoryFilmSpectator.pdf [Accessed on 2nd December 2018]

 

• Sonnenschein, D. 2001. Sound design: The expressive power of music, voice, and sound effects in cinema. Studio city: Michael Wiese productions.

 

• Weis, E. and Belton, J. 1985. Film sound: Theory and practice. New york: Columbia university press.

 

• Zettl, H. 1998. Sight, Sound, Motion: Applied Media Aesthetics. 4^th ed. Wadsworth Publishing.

Films cited

• A man Escaped. (1956). [film] Directed by R. Bresson. Gaumont.

 

• Being John Malkovich. (1999). [film] Directed by S. Jonze. Astralwerks.

 

• Caché. (2005). [film] Directed by M. Haneke. Les Films du Losange.

 

• Delicatessen. (1991). [film] Directed by J. Jeunet and M. Caro. Union Générale Cinématographique (UGC).

 

• Le mépris. (1963). [film] Directed by J. Godard. Rome Paris Film.

 

• Mon Oncle. (1958). [film] Directed by J. Tati. Specta Films.

 

• Paris, Texas. (1984). [film] Directed by W. Wenders. Road Movies Filmproduktion.

 

• Record of a Tenement Gentleman. (1947). [film] Directed by Y. Ozu. Shôchiku Eiga.

 

• The Discreet Charm of the Bourgeoisie. (1972). [film] Directed by L. Buñuel. Greenwich Film Productions.

 

• The Elephant Man. (1980). [film] Directed by D. Lynch. Paramount Pictures.

 

• The Mirror. (1975). [film] Directed by A. Tarkovsky. Mosfilm.

 

• Tokyo Story. (1953). [film] Directed by Y. Ozu. Shôchiku Eiga.

 

• Wings of Desire. (1987). [film] Directed by W. Wenders. Road Movies Filmproduktion.